The Sound of Her Good Name, by Candace Curran is now in stock!
Singer in the Gray of Jean-Michel by Lynn Shorter
"Lynn Shorter’s poetry is pitched on the point of song, finding its place in the ear and throat to echo back through communities forged in Black struggle, art and counter narratives, and forwards into all the sonic possibilities of a world imagined otherwise. The space of the page is a score for unfolding identities, sinuous voicings transposing the fluidity of jazz into new keys of poetry. This is joyful and necessary work." —Zoë Skoulding, author of A Marginal Sea
" Lynn Shorter’s Singer in the Gray of Jean-Michel is a pyrotechnical achievement. Shorter’s mastery of rhythm places her book among the very best of Black experimentalism and Afro-Futurism. Her poems move, coursing through a self that is actual, irreplaceable, and totally comfortable in its uniqueness. The poems push beyond identity into a form of sharing. The voice is filtered through whale-songs, John Coltrane, Ornette Coleman, Albert Ayler, and Jean-Michel Basquiat, among other figures. Constantly surprising, the poems are both spontaneous and inevitable at the same time." —Sean Singer, winner of the 2022 National Jewish Book Award for Today in the Taxi
We're delighted to offer two letterpress broadsides by SRP Glass Broadside Contest winners, poets Jendi Reiter and Armen Davoudian! Both feature original woodcuts by J. Hyde Meissner. $15/each. Click here.
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The Sound of Her Good Name by Candace Curran
Candace Curran’s poems are unlike anyone else’s. As we enjoy their verbal wit, their bright exciting pinball machine dynamics, their badass musicality, we are escorted… through a story of betrayal, atrocity, and trauma. —Richard Hoffman author of People Once Real
Candace Curran’s language is wonderfully individual, tender even at its most wrenching...The Sound of her Good Name is both shielded and vulnerable; its darkness sparkles. —Jody Stewart, author of This Momentary World
Written in a wholly original voice, Curran navigates the treacherous domestic landscape of abuse. Her language mirrors the often-fractured thoughts of a girl/woman ... Interspersed with short poems of “a daughter caught in doorways” are block-like door poems in which one line breaks out of the pattern. —Gail Thomas, author of Leaving Paradise
body psalms by Audrey Gidman
"This is a collection of incantations, meditations, conjurings, 'a bowl of water on the ground…a bowl catching grief like rainwater.' In this compact collection, the poet asks if we can make something sacred of our lives….Her deep lyric awareness beckons a reader into the world of iikááh, a holy place where 'gods come and go.' From memory and the honoring of earth, trees, and the body, Gidman reframes trauma…." — Lisa C. Taylor
"body psalms is a book of wonder, blood, and holy longing for flowers and seeds and wind and stone and their echoes in the human form. Her poems are the sound of song in the wind, music of the earth in cupped hands. They are made of the body the way prayer is made of breath…." —Jeffrey Thomson
"This collection is a rarity, a ritual space incubated in the wilderness, steeped in mythic and ecstatic consciousness…." —Timothy Liu
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Slate Roof Press, an art-quality publisher, produces beautiful books with letterpress covers crafted by member and award-winning printer, Ed Rayher. A member-run collective established in 2004, we are dedicated to publishing the best in poetry.
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